The pale stony faces of the models’ of McQueen’s Plato’s Atlantis collection (SS10), the slight sheen and sculpted cheekbones recalling siren women; the ‘owl women’, their faces painted with feathers, of La Dame Bleue (SS08): Alexander McQueen’s staggering catwalk shows were a dream-come-true for a make-up artist with imagination. Invitation for Alexander McQueen's provocative fashion show, La Poupée or ‘The Doll,’ staged at London’s Royal Horticultural Halls on September 27, 1997, as part … vam.ac.uk. Mar 25, 2019 - This Pin was discovered by Mere. The idea behind fashion is to emphasize or overexaggerate parts of the human body. Rather, he said, “I wanted to elongate the body, not just show the bum. The following videos are excerpts from some of Alexander McQueen’s runway shows between 1997 and 2010. It's always so gratifying to go back to McQueen. Spring Summer 1997 from the collection La Poupée. ... I’m Andrew Bolton, the curator of the exhibition Alexander McQueen: Savage Beauty. The site AnOther posts an interview with Andrew Bolton, curator of “Savage Beauty” at the Met, 2011. your own Pins on Pinterest © 2021 Condé Nast. His pal Kate Moss took to the watery runway in a pair of his derriere-exposing bumster pants, the point of which, McQueen insisted, wasn’t to titillate. See more ideas about surrealist photographers, surrealist, surrealism. La Poupée (The Doll) to a soundtrack compiled by Scroobily. Alexander McQueen tyre print trousers with four front pockets. 1997年春夏系列Bellmer La poupée《貝爾默的玩偶》 關於Alexander McQueen個人的神話之一,是說他像剪刀手愛德華一樣,隨意拿一塊布料,瘋狂地剪幾下之後,就可以變出很棒的大衣或洋裝,他能夠省略在紙樣上打版或畫圖等慣常的步驟。 europapress. The cut sleeves of that jacket from La Poupée. Spring Summer 1997 from the collection La Poupée. Click here to watch the complete runway show. The collection’s title references the fictional island described by the Greek philosopher, Plato – an island that was submerged under the sea, forcing its inhabitants to evolve into amphibian humanoids. The metal jewellery, which went … All rights reserved. McQueen’s final runway presentation before his death was widely acclaimed as his greatest collection. Mcqueen. La Poupée, or “The Doll,” was a fashion show that heavily focused on the constraints of the fashion world and the human body. But for sheer provocation, nothing topped spring 1997’s La Poupée, or The Doll. All rights reserved. Consulting curator Andrew Bolton said this was one of the garments added to the show since it debuted at the Metropolitan Museum in New York in 2011. Browse more videos. The collection took inspiration from the works of the German artist Hans Bellmer (1902-1975) who was renowned for his surrealistic life-sized sculptures of female bodies. who are now very, very significant in their own arenas, of working with McQueen was for these people. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. I think the title “Savage Beauty” very much epitomizes the contrasting opposites in McQueen’s work. ... It’s no surprise that sellers of McQueen items are seeking to unload their products now that the designer’s death is a decade in hindsight. “For sheer provocation, nothing topped spring 1997’s La Poupée, or The Doll,” wrote Vogue. Ad Choices. ", followed by 966 people on Pinterest. McQueen’s references to nature were a career constant and his botanical and zoological interests were wide ranging. Browse more videos. Alexander McQueen has grasped the public’s imagination like few other fashion designers before him, with exhibitions dedicated to his work continuing to attract record visitor numbers. La Poupée, or “The Doll,” was a fashion show that heavily focused on the constraints of the fashion world and the human body. Use of this site constitutes acceptance of our User Agreement (updated as of 1/1/21) and Privacy Policy and Cookie Statement (updated as of 1/1/21) and Your California Privacy Rights. It's just about the restrictions of fashion really. Discover (and save!) See more ideas about surrealist photographers, surrealist, surrealism. Tim Blanks looks back at a designer who constantly tested the limits—his own, those of his models, and of his audience. Alexander McQueen brand was founded by designer Alexander McQueen in 1992. Narrated by Andrew Bolton, curator in The Costume Institute, the videos show the iconic moments McQueen created for his dramatic runway presentations. In his next collection called “Joan” in 1998, the inspiration was dedicated to women from history like Catherine the Great, Marie Antoinette, and in this case Joan of Arc. To me, that part of the body—not so much the buttocks, but the bottom of the spine—that’s the most erotic part of anyone’s body, man or woman.”. A frock coat from McQueen’s graduate collection, Jack The Ripper Stalks His Victims, 1992. Having a great interest in aesthetics and art, Alexander McQueen often played with art historical references as part of his work. the various tribal or barbaric face pieces. Alexander McQueen brand was founded by designer Alexander McQueen in 1992. The notion of the limbs and the torso reorganized. Alexander McQueen, S/S 1997 La Poupée ”The original idea was when Jesus walked on water but then it sort of lost the plot a bit and went somewhere else…” This show was made with rather small means, working together with Simon Costin, using a shallow tank and Perspex wedge shoes. La Poupée, McQueen’s 1997 Spring and Sum­mer show which trans­lat­ed to ‘the doll’ from French, was inspired by Hans Bellmer’s pho­tog­ra­phy which depicts dolls with dis­tort­ed and mis-matched limbs. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. They are printed with the signature McQueen tyre print, first seen in the Spring Summer 1995 women's wear collection The Birds. The idea behind fashion is to emphasize or overexaggerate parts of the human body. In 1998, in the wake of reporting her first pregnancy with her picture taker … Inspired by German artist Hans Bellmer, Alexander McQueen's Spring 1997 La Poupée collection was all about fetishization, and featured some of the most outrageous accessories ever seen on a runway. McQueen himself once remarked, “I don’t want to do a cocktail party, I’d rather people left my shows and vomited.” His quixotic and otherworldly creations tap into the darkest facets of the human psyche and elicit such extreme emotion as is unrivalled by any other designer before or since. In his next collection called “Joan” in 1998, the inspiration was dedicated to women from history like Catherine the Great, Marie Antoinette, and in this case Joan of Arc. Inspired by German artist Hans Bellmer, Alexander McQueen's Spring 1997 La Poupée collection was all about fetishization, and featured some of the most outrageous accessories ever seen on a runway. There’s a new theme every day on It’s Vintage. would have been probably quite testing experiences, but definitely very, very significant ones. Fittingly, he returned to one of his most enduring sources of inspiration, nature. Apr 30, 2012 - moisieur: “ La Poupée, Kate Moss at Alexander McQueen S/S 1997 ” While Alexander McQueen moved many to tears with his extraordinary London shows – shows that included Bellmer La Poupee, Joan and The Overlook – he himself would regularly claim that he wasn’t sure what all the fuss was about.No. For his SS show La Poupée in 1997, McQueen took inspiration from the works of the German artist Hans Bellmer (1902-1975), who is well known for his surrealistic and life-sized sculptors of female bodies. The La Poupée collection shocked to the core. All of these pieces are in the first two rooms. McQueen grabbed the attention of the press with his shock tactics in the early years by introducing the influential bumster trousers in his Nihilism collection from 1995, but also with fashion shows such as 'Highland Rape' and 'Belmer La Poupée'. Alexander McQueen put on a series of landmark shows in the late nineties, each one more extreme than the next. She likewise turned into a backbone of Alexander McQueen's runway exhibitions, strolling for a portion of his most famous shows, including spring 1996's "The Hunger" and spring 1997's "La Poupée." that would make him want to do it even more. La Poupée (The Doll) to a soundtrack compiled by Scroobily. Size M. Country of Design: … McQueen cre­at­ed cloth­ing infused with met­al and bon­ing forc­ing the … A perfect inspiration for McQueen, in other words. Mcqueen was inspired by an artist named Hans Bellmer, who was known to chop up dolls and rearrange them into new creations. The original idea was like when Jesus walked on water. Alexander McQueen 'La Poupée' runway ensemble comprising: olive taffeta jacket with elongated sleeves and inverted notched lapel; amber satin brocade mid-length skirt with extra-long metal zip fastening sewn on the bias and asymmetric slit at the back. He admired McQueen used the female body in ways that were unfamiliar in the world of fashion, for example at Bellmer La Poupée, with the cage.Was this disturbing? Bolton explains the title of his McQueen retrospective: “Originally the idea came from a book called The Savage Mind by Claude Levi-Strauss, in which he describes two different types of people: ‘the bricoleur’ who is a jack-of-all-trades and ‘the engineer’ who is an artist. “For sheer provocation, nothing topped spring 1997’s La Poupée, or The Doll,” wrote Vogue. McQueen grabbed the attention of the press with his shock tactics in the early years by introducing the influential bumster trousers in his Nihilism collection from 1995, but also with fashion shows such as 'Highland Rape' and 'Belmer La Poupée'. © 2021 Condé Nast. La Poupée, spring 1997 Walking on water is one way to get attention — McQueen perched his models on Perspex heels and had them traverse a shallow pool during the show. 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